EMAV has a vast range of solutions in terms of camera units, camcorders, DSLR, and also lenses, recorders and video servers, and is able to adequate it’s equipment to any kind of production and challenge.
SD Sony BVP-950P
SD camera unit with a three CCDs block of 2/3” Power HAD 1000 commutable 16:9/4:3 and 12 bit digital A/D converser. These characteristics allow a noise relation of 65 dB, a sensibility of F 10.0 at 2000 lux and a vertical and horizontal resolution of 400 and 900 lines accordingly.
SD Sony BVP-E30
BVP-E30 is a small and light camera with an aspect ratio commutable between 16:9/4:3 which makes it the ideal choice for all kinds of SD work. It has a three CCDs block of 2/3” Power HAD EX and a digital signal processing with 14 bit A/D conversers which enhances it’s performance. The combination of a extremely low noise level and high sensibility allows it to work in light conditions up to 0,25 lux.
HD with triax Sony HDC-1450
HDC-1450 camera uses advanced HD digital signal processing with 14 bit A/D conversers. The camera incorporates a set of three CCDs of 2/3” Power HAD EX with 2,2 megapixel which allow it to work both in 720 50 frames progressive and in 1080 50 fields interlaced. This camera includes a triax cable interface which makes it possible to integrate with existing infrastructures with this kind of gear. HDFX-100 converser allows the triax conversion to fiber and CCU connection.
HD with fiber Sony HDC-1700
These HD units with double format are equipped with three 2/3” CCD Power HAD FX sensors and last generation 16-bit A/D conversers to allow a superior picture quality. HDC-1700 camera is available to work such in SD as HD including the following formats: 1080/50i, 1080/59.94i, 720/50p, 720/59.94p.
HD SSM 3 phases Sony HDC-3300
HDC-3300 camera captures images in full HD 1920 x 1080 at the incredible velocity of three times the normal speed: 180i (59.94i), 150i (50i); the same happening in HD resolution 1280 x 720: 180p (59.94p) e 150p (50p). This feature guarantees a superb standard slow motion reproduction in all frame-rates.
Besides high quality slow-motion, HDC-3300 camera provides simultaneously real time images which allows a more versatile use of the camera, such in slow motion as in standard velocity.
Camcorder Digital Betacam Sony DVW-790WSP commutable 16:9/4:3 with a CCDs block of three de 2/3” Widescreen Power HAD 1000 FIT sensors with 620.000 pixels at a smear level of -140dB.
Camcorder Sony PDW-530P with commutable MPEG IMX ou DVCAM recording. This camcorder allows progressive and interlaced recording if your intention is to give a more cinematographic effect to the images captured. It has a 2/3” Power HAD EX CCDs block with a smear level of -140dB and 12 bit A/D conversion, accomplishing a sensibility of F 11.0 a 2000 lux and a noise signal of 63 dB.
XDCAM HD Sony PDW-700 camcorder is equipped with three 2/3” Progressive Power HAD FX CCDs with a resolution of 1920 x 1080. Advanced digital signal processing and 14 bit A/D conversion, allows it to capture high quality images. This camcorder records up to 50 Mb/s with MPEG-2 4:2:2 compression in several formats: 1080/50i, 1080/59.94i, 1080/25P, 1080/29.97P, 1080/23.98P, 720/50P e 720/59.94P.
For this recording format we have Sony HDW-750P and HDW-790P. Both have CCDs 2/3” Power HAD FIT blocks with 2,2 million pixels and 12 bit A/D conversion achieving a smear level of -135dB, a signal noise relation of 54 dB and a sensibility of F 10.0 a 2000 lux. HDW-790P model stand out specially for the possibility of recording in 1080/50i and 1080/25P and for the introduction of new gamma curves, such as Hypergamma.
Exmor Super 35mm CMOS Sony camcorders are part of Digital Cinematography gamma because of its superior image quality and the ability to achieve a film look, recording at
23,98P and using a S-Log workflow.
These camcorders have a Super 35mm sensor of the same size as Super 35mm film which was specifically developed for digital cinematography. It’s positioning inside the camcorder chassis is exactly the same as in a 35mm filming camera, providing the same optic performance with 35mm cinema lenses. To facilitate the integration of this kind of lenses, the camera have a PL Mount adapter.
We have two camera models in this format, Sony PMW-F3 and PMW-F5.
PMW-F3 camcorder uses a CMOS sensor of 3,5 megapixel, with a T11 sensibility and a noise signal relation of 63 dB. Recording is done in multiple formats, interlace or progressive, using MPEG-2 4:2:0 codec with bitrates up to 35 Mb/s.
PMW-F5 has a 4K CMOS sensor with 11,6 megapixel, a T14 sensibility and a noise signal relation of 57 dB. Multiple recording formats can be chosen, from MPEG-2 4:2:2, MPEG-4 SStP and XAVC up to 2K. Using an AXS-R5 external recorder is possible to record 16 bit 4K RAW in AXSM cards.
In this range we work with Canon 5D, combining all extras to allow the using of the camera in a recording environment. These cameras have a CMOS full frame sensor with 21,1 megapixel, an ISO interval expandable up to 25600 e and full HD recording at 1920 x 1080 30 fps.
In this format we have a wide range of lenses to offer our clients such as Studio/Field, ENG or Cine Style. For all the lenses we provide all the accessories needed.
In the Studio/Field we have lenses with zoom up to 60x to 76x e with overture beginning in 9mm. This lenses are usually rented with a camera holder and a heavy duty tripod which allows a better support to the set.
ENG lenses cover all the range, starting with wide angle lenses up to super tele with zooms up to 40x. in the wide angles, the lenses with a bigger overture are the Fujinon with focal distance of 4,5 – 63mm. All the lenses are equipped with a duplicator.
Cine Style offers a set of five Carl Zeiss DigiPrime lenses with focal distances of 3,9mm up to 40mm and overtures of T1.9 to T1.6.
Mount PL lenses are fixed, with overture T2.0 and are organized in towo sets: one with six lenses, with focal distance of 20mm, 25mm, 35mm, 50mm, 85mm and 135mm and the other of three lenses of 35mm, 50mm and 85mm.
EF lenses are usually used with DSLR Canon 5D cameras and we can divide them in two categories: zoom lenses and fixed lenses. Zoom lenses are Canon, with overture of 2.8 and focal distance of 16-35mm, 24-70mm e 70-200mm. Fixed lenses with this type of mount Carl Zeiss and we have both Makro Planar 2/100 and Planar 1,4/50 models.
Betacam SP recorder model BVW-75P records and reproduces betacam cassettes and is ideal for editing since it has incorporated editing commands and dynamic tracking playback, which together with TBC allows reproduction of broadcast quality images from -1 to +2 times normal speed.
DVW-500P model besides recording and reproducing betacam cassettes since it has incorporated editing commands and dynamic tracking playback, which together with TBC allows reproduction of broadcast quality images from -1 to +3 times normal speed..
DVW-M2000P model upgrades the features of its predecessor DVW-500P and ads the capacity of reproducing Betacam, Betacam SP, Betacam SX e MPEG IMX cassettes which makes it a very useful playout tool.
XDCAM Sony PDW-1500 recorder has half the rack width and is optimized to work with non linear editing systems. Though small in size, these recorder allows transcripts of files at a 2,5 times normal velocity in MPEG IMX 50 Mb/s formats and 5 times normal velocity in DVCAM format, thanks to it’s double optic heads.
Sony PDW-HD1500 recorder is a HD machine that uses MPEG-2 4:2:2 codec with a compression up to 50Mb/s. Having three SDI video outputs, i.Link and Ethernet make it the ideal machine to work both in video environments and in files environments. It’s two optic heads allow a faster file transfer. This recorder has up/down converters incorporated and 1080/720 cross converter both input and output.
HDCAM recorders, model HDW-1800 are multi format and able to record and reproduce cassettes of the following formats: 1080/50i, 1080/59.94i, 1080/25P, 1080/29.97P, 1080/23.98P and 1080/24P. They have a down converter HD for SD which allows SD outputs, and have Dynamic Tracking heads that read HDCAM cassettes from -1 up ti +2 times normal velocity.
We also provide a HDCAM reader, model J-H3, with all the capacities of the HDW-1800 model, but in a portable unit and with an i.Link output which facilitates it’s integration in a post-production file based environment.
EVS SD video server model XS with 4 RU and 4 channels. Allows recording in loop of all channels in different codecs, being possible to reproduce seconds after start recording.
HD EVS XT video server with 8 channels and 6 RU. Allows loop recording of all channels in different codecs, being possible it’s reproduction seconds after start recording. It also allows networking using the XNet connection or an IP connection. LSM software option and T-bar remote control makes it the ideal tool for live slow motion.
IPDirector is a video production management tool using EVS servers. IPDirector allows to control ingest, manage meta data, editing on the fly, playout programming, clips and highlights production, etc. Based in a Windows environment, is very intuitive and allows all the connected users of the network to share videos, editing and meta data.